In 1920, David O. McKay embarked on a journey that forever changed the Church of Jesus Christ of Latter-day Saints. His visits to the Latter-day Saint missions, schools, and branches in the Pacific solidified the Church leadership's commitment to global outreach. As importantly, the trip inspired McKay's own initiatives when he later became Church president. McKay's account of his odyssey brings to life the story of the Church of Jesus Christ’s transformation into a global faith. Throughout his diary, McKay expressed his humanity, curiosity, and fascination with cultures and places--the Maori hongi, East Asian customs, Australian wildlife, and more. At the same time, he and his travel companion, Hugh J. Cannon, detailed the Latter-day Saint missionary life of the era, closely observing logistical challenges and cultural differences, guiding various church efforts, and listening to followers' impressions and concerns. Reid L. Neilson and Carson V. Teuscher's meticulous notes provide historical, religious, and general context for the reader.Blending travelogue with history, Pacific Apostle illuminates the thought and work of an essential figure in the twentieth-century Church of Jesus Christ.

The upheavals of glasnost and perestroika followed by the collapse of the Soviet Union remarkably transformed the art scene in Kyiv, launching Ukrainian contemporary art as a global phenomenon. The previously calm waters of the culturally provincial capital of the Ukrainian Soviet Republic became radically stirred with new and daring art made publicly visible for the first time since the avant-garde period of the early twentieth century. As artists were freed from the dictates of the fading Communist ideology and the constraints of late socialist realism, an explosion of styles emerged, creating an effect of baroque excess. This exhibition catalogue traces and documents the diverse artistic manifestations of these transitional and exhilarating years in Kyiv while providing some historical artworks for context. Published in partnership with the Zimmerli Museum.

The picture plane of a painting creates boundaries and perspectives. It governs the relationship of daubs of pigment on a canvas to reality, allowing the viewer to connect with the imagined world of a work of art. Charles Harrison's latest endeavor, Painting the Difference, explores the role of the picture plane in modern painting and the relationships it creates among the artist, the subject, and the spectator. One of the most respected teachers and theorists of modern art, Harrison here offers a bold interpretation of the Modernist canon that uncovers the significance of gender to the functioning of the picture plane.

Arguing that the representation of women in art was crucial to the character of modernity, Harrison traces the history of female subjects as they began to gaze out of the picture to confront and engage their viewers. Combining sweeping conceptual history with telling investigations into the details of particular paintings, Painting the Difference deciphers the implications of sexual difference for the development of nineteenth- and twentieth-century art. Harrison shows how artists, reflecting the underlying anxieties of the time about gender, used female subjects' gazes both to create a sexualized relationship between these subjects and their viewers, and to simultaneously question that relationship. In considering works by artists such as Renoir, Manet, Degas, Cézanne, Picasso, and Matisse, as well as Rothko, Warhol, Cindy Sherman, and many more, Harrison incorporates elements of cultural criticism and social history into his arguments, and generous color illustrations permit the reader to test Harrison's claims against the works on which they are based. Rich with detail and compelling analysis, Painting the Difference offers cutting-edge interpretation grounded in the reality of magnificent works of art.

Andrew Carnegie is remembered as one of the world’s great philanthropists. As a boy, he witnessed the benevolence of a businessman who lent his personal book collection to laborer’s apprentices. That early experience inspired Carnegie to create the “Free to the People” Carnegie Library in 1895 in Pittsburgh, Pennsylvania. In 1896, he founded the Carnegie Institute, which included a music hall, art museum, and science museum. Carnegie deeply believed that education and culture could lift up the common man and should not be the sole province of the wealthy. Today, his Pittsburgh cultural institution encompasses a library, music hall, natural history museum, art museum, science center, the Andy Warhol Museum, and the Carnegie International art exhibition.
      In Palace of Culture, Robert J. Gangewere presents the first history of a cultural conglomeration that has served millions of people since its inception and inspired the likes of August Wilson, Andy Warhol, and David McCullough. In this fascinating account, Gangewere details the political turmoil, budgetary constraints, and cultural tides that have influenced the caretakers and the collections along the way.  He profiles the many benefactors, trustees, directors, and administrators who have stewarded the collections through the years. Gangewere provides individual histories of the library, music hall, museums, and science center, and describes the importance of each as an educational and research facility.
      Moreover, Palace of Culture documents the importance of cultural institutions to the citizens of large metropolitan areas. The Carnegie Library and Institute have inspired the creation of similar organizations in the United States and serve as models for museum systems throughout the world.

British General Sir Allan Cunningham was appointed in 1945 as high commissioner of Palestine, and served in this capacity until the end of the British mandate on May 15, 1948. The three years of Cunningham’s tenure were tremendously complex politically: players included the British government in London, the British army, the British administration in Jerusalem, and diverse military forces within the Zionist establishment, both Jew and Arab. Golani revisits this period from the perspective of the high commissioner, examining understudied official documents as well as Cunningham’s letters, notes, and cables. He emphasizes especially the challenges of navigating Jewish and Arab terrorists, on the one hand, and the multiple layers of British institutional bureaucracies, on the other, and does an excellent job of establishing Sir Allan’s daily trials within the broad frame of the collapse of the British Empire following World War II.

The most famous basketball tournament in the history of college basketball is the Big Five. And the Big Five was played in the most hallowed halls of college play: the Palestra. Now, for the first time, a complete story of this Philadelphia rivalry is revealed.

Robert Lyons offers the story of the Big Five from its very beginnings in 1955. At that time, many of the Big Five schools -- La Salle University, University of Pennsylvania, St. Joseph's University, Temple University, and Villanova University -- weren't even talking to each other, and everyone predicted the tournament would end before it began. Conducting interviews with  coaches and players -- including famed Temple coach Harry Litwack's last interview before his death -- Lyons offers the play-by-play on how the Big Five became an institution, and how it was ultimately undone by college basketball's own success.

Lavishly illustrated with photographs of players, teams, coaches, and the Palestra itself, Palestra Pandemonium is an immediate classic, offering a chronicle of the most monumental college basketball tournament. Anywhere.

The history of regional sporting events in 20th century Asia yields insights into Western and Asian perspectives on what defines modern Asia, and can be read as a staging of power relations in Asia and between Asia and the West. The Far Eastern Championship Games began in 1913, and were succeeded after the Pacific War by the Asian Games. Missionary groups and colonial administrations viewed sporting success not only as a triumph of physical strength and endurance but also of moral education and social reform. Sporting competitions were to shape a ‘new Asian man’ and later a ‘new Asian woman’ by promoting internationalism, egalitarianism and economic progress, all serving to direct a “rising” Asia toward modernity. Over time, exactly what constituted a “rising” Asia underwent remarkable changes, ranging from the YMCA’s promotion of muscular Christianity, democratization, and the social gospel in the US-colonized Philippines to Iranian visions of recreating the Great Persian Empire.


Based on a vast range of archival materials and spanning sixty years and three continents, Sports and the Emergence of Modern Asia shows how pan-Asian sporting events helped shape anti-colonial sentiments, Asian nationalisms, and pan-Asian aspirations in places as diverse as Japan and Iran, and across the span of countries lying between them.

During his forty-two years as president of AMS Press, Gabriel Hornstein quietly sponsored and stimulated the revival of “long” eighteenth-century studies. Whether by reanimating long-running research publications; by creating scholarly journals; or by converting daring ideas into lauded books, “Gabe” initiated a golden age of Enlightenment scholarship. This understated publishing magnate created a global audience for a research specialty that many scholars dismissed as antiquarianism. Paper, Ink, and Achievement finds in the career of this impresario a vantage point on the modern study of the Enlightenment. An introduction discusses Hornstein’s life and achievements, revealing the breadth of his influence on our understanding of the early days of modernity. Three sets of essays open perspectives on the business of long-eighteenth-century studies: on the role of publishers, printers, and bibliophiles in manufacturing cultural legacies; on authors whose standing has been made or eclipsed by the book culture; and on literary modes that have defined, delimited, or directed Enlightenment studies.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

In this remarkable memoir, Tung Pok Chin casts light on the largely hidden experience of those Chinese who immigrated to this country with false documents during the exclusion era. Although scholars have pieced together their history, first-person accounts are rare and fragmented; many of the so-called "Paper Sons" lived out their lives in silent fear of discovery. Chin's story speaks for  the many Chinese who worked in urban laundries and restaurants, but it also introduces an unusually articulate man's perspective on becoming Chinese American.

Chin's story begins in the early 1930s, when he followed the example of his father and countless other Chinese who bought documents that falsely identified them as children of Chinese Americans. Arriving in Boston and later moving to New York City, he worked and lived in laundries. Chin was determined to fit into American life and dedicated himself to learning English. But he also became an active member of key organizations -- a church, the Chinese Hand Laundrymen's Alliance, and the Chinese Consolidated Benevolent Association -- that anchored him in the community. A self-reflective and expressive man, Chin wrote poetry commenting on life in China and the hardships of being an immigrant in the United States. His work was regularly published in the China Daily News and brought him to the attention of the FBI, then intent on ferreting out communists and illegal immigrants. His vigorous narrative speaks to the day-to-day anxieties of living as a Paper Son as well as the more universal immigrant experiences of raising a family in modest circumstances and bridging cultures.

Historian K. Scott Wong introduces Chin's memoir, discussing the limitations on immigration from China and what is known about Exclusion-era Chinese American communities. Set in historical context, Tung Pok Chin's unique story offers and engaging account of a twentieth-century Paper Son.

Clarence Mitchell Jr. was the driving force in the movement for passage of civil rights laws in America. The foundation for Mitchell’s struggle was laid during his tenure at the Fair Employment Practice Committee, where he led implementation of President Roosevelt’s policy barring racial discrimination in employment in the national defense and war industry programs. Mitchell’s FEPC reports and memoranda chart the beginning of the modern civil rights movement.

The first two volumes of a projected five-volume documentary edition of The Papers of Clarence Mitchell Jr. illuminate the FEPC’s work as a federal affirmative-action agency and the government’s struggle to enforce the nation’s antidiscrimination policy in industry, federal agencies, and labor unions.

Subsequent volumes will trace Mitchell’s successive enlistment of seven presidents in establishing and enforcing a permanent national nondiscrimination policy. Through his efforts, Congress passed the 1957, 1960, and 1964 Civil Rights Acts prohibiting discrimination in public accommodations, federal spending, and employment based on race, color, sex, and national origin; the 1965 Voting Rights Act; and the 1968 Fair Housing Act.

Editor Denton L. Watson introduces and annotates Mitchell’s writings, providing context and insight for students and scholars of civil rights history, government, law, and sociology.

Clarence Mitchell Jr. was the driving force in the movement for passage of civil rights laws in America. The foundation for Mitchell’s struggle was laid during his tenure at the Fair Employment Practice Committee, where he led implementation of President Roosevelt’s policy barring racial discrimination in employment in the national defense and war industry programs. Mitchell’s FEPC reports and memoranda chart the beginning of the modern civil rights movement.

The first two volumes of a projected five-volume documentary edition of The Papers of Clarence Mitchell Jr. illuminate the FEPC’s work as a federal affirmative-action agency and the government’s struggle to enforce the nation’s antidiscrimination policy in industry, federal agencies, and labor unions.

Subsequent volumes will trace Mitchell’s successive enlistment of seven presidents in establishing and enforcing a permanent national nondiscrimination policy. Through his efforts, Congress passed the 1957, 1960, and 1964 Civil Rights Acts prohibiting discrimination in public accommodations, federal spending, and employment based on race, color, sex, and national origin; the 1965 Voting Rights Act; and the 1968 Fair Housing Act.

Editor Denton L. Watson introduces and annotates Mitchell’s writings, providing context and insight for students and scholars of civil rights history, government, law, and sociology.

Volume V of The Papers of Clarence Mitchell Jr. records the successful effort to pass the 1957 Civil Rights Act: the first federal civil rights legislation since 1875.

Prior to the US Supreme Court’s landmark 1954 decision in Brown v. Board of Education, the NAACP had faced an impenetrable wall of opposition from southerners in Congress. Basing their assertions on the court’s 1896 “separate but equal” decision in Plessy v. Ferguson, legislators from the South maintained that their Jim Crow system was nondiscriminatory and thus constitutional. In their view, further civil rights laws were unnecessary. In ruling that legally mandated segregation of public schools was unconstitutional, the Brown decision demolished the southerners’ argument. Mitchell then launched the decisive stage of the struggle to pass modern civil rights laws.

The passage of the Civil Rights Act of 1957 was the first comprehensive lobbying campaign by an organization dedicated to that purpose since Reconstruction. Coming on the heels of the Brown decision, the 1957 law was a turning point in the struggle to accord Black citizens full equality under the Constitution. The act’s passage, however, was nearly derailed in the Senate by southern opposition and Senator Strom Thurmond’s record-setting filibuster, which lasted more than twenty-four hours. Congress later weakened several provisions of the act but—crucially—it broke a psychological barrier to the legislative enactment of such measures.

The Papers of Clarence Mitchell Jr. is a detailed record of the NAACP leader’s success in bringing the legislative branch together with the judicial and executive branches to provide civil rights protections during the twentieth century.

The Civil Rights Act of 1960 aimed to close loopholes in its 1957 predecessor that had allowed continued voter disenfranchisement for African Americans and for Mexicans in Texas.

In early 1959, the newly seated Eighty-Sixth Congress had four major civil rights bills under consideration. Eventually consolidated into the 1960 Civil Rights Act, their purpose was to correct the weaknesses in the 1957 law. Mitchell’s papers from 1959 to 1960 show the extent to which congressional resistance to the passage of meaningful civil rights laws contributed to the lunch counter sit-ins in Greensboro, North Carolina, and to subsequent demonstrations. The papers reveal how the repercussions of these events affected the NAACP’s work in Washington and how, despite their dislike of demonstrations, NAACP officials used them to intensify the civil rights struggle.

Among the act’s seven titles were provisions authorizing federal inspection of local voter registration rolls and penalties for anyone attempting to interfere with voters on the basis of race or color. The law extended the powers of the US Commission on Civil Rights and broadened the legal definition of the verb to vote to encompass all elements of the process: registering, casting a ballot, and properly counting that ballot. Ultimately, Mitchell considered the 1960 act unsuccessful because Congress had failed to include key amendments that would have further strengthened the 1957 act. In the House, representatives used parliamentary tactics to stall employment protections, school desegregation, poll-tax elimination, and other meaningful civil rights reforms. The fight would continue.

The Papers of Clarence Mitchell Jr. series is a detailed record of the NAACP leader’s success in bringing the legislative branch together with the judicial and executive branches to provide civil rights protections during the twentieth century.

Paracritical Hinge is a collection of varied yet interrelated pieces highlighting Nathaniel Mackey’s multifaceted work as writer and critic. It embraces topics ranging from Walt Whitman’s interest in phrenology to the marginalization of African American experimental writing; from Kamau Brathwaite’s “calibanistic” language practices to Federico García Lorca’s flamenco aesthetic of duende and its continuing repercussions; from H. D.’s desert measure and coastal way of knowing to the altered spatial disposition of Miles Davis’s trumpet sound; from Robert Duncan’s serial poetics to diasporic syncretism; from the lyric poem’s present-day predicaments to gnosticism. Offering illuminating commentary on these and other artists including Amiri Baraka, Mississippi Fred McDowell, Wilson Harris, Jack Spicer, John Coltrane, Jay Wright, and Bob Kaufman, Paracritical Hinge also sheds light on Mackey’s own work as a poet, fiction writer, and editor.

Stonemasons from the Alpine valleys of northwestern Italy shaped the architectural face of Paradise Valley in northern Nevada in the 1860s and 1870s. Drawing on their own distinctive skills, they constructed the constellation of granite and sandstone buildings that are the region's most visible landmarks. Marshall's analysis of this architectural legacy, illustrated with 229 photographs and 70 line drawings, is not only a valuable resource for scholars in vernacular architecture, folklore, and cultural geography, but also a verbal and visual treat for all who love the American West.

Literature departments are staffed by, and tend to be focused on turning out, “good” readers—attentive to nuance, aware of history, interested in literary texts as self-contained works. But the vast majority of readers are, to use Merve Emre’s tongue-in-cheek term, “bad” readers. They read fiction and poetry to be moved, distracted, instructed, improved, engaged as citizens. How should we think about those readers, and what should we make of the structures, well outside the academy, that generate them?
We should, Emre argues, think of such readers not as non-literary but as paraliterary—thriving outside the institutions we take as central to the literary world. She traces this phenomenon to the postwar period, when literature played a key role in the rise of American power. At the same time as American universities were producing good readers by the hundreds, many more thousands of bad readers were learning elsewhere to be disciplined public communicators, whether in diplomatic and ambassadorial missions, private and public cultural exchange programs, multinational corporations, or global activist groups. As we grapple with literature’s diminished role in the public sphere, Paraliterary suggests a new way to think about literature, its audience, and its potential, one that looks at the civic institutions that have long engaged readers ignored by the academy.
 

Para-Sites, the penultimate volume in the Late Editions series, explores how social actors located within centers of power and privilege develop and express a critical consciousness of their own situations. Departing from the usual focus of ethnography and cultural analysis on the socially marginalized, these pieces probe subjects who are undeniably complicit with powerful institutional engines of contemporary change. In each case, the possibility of alternative thinking or practices is in complex relation to the subject's source of empowerment.

These cases challenge the condition of cynicism that has been the favored mode of characterizing the mind-set of intellectuals and professionals, comfortable in their lives of middle-class consumption and work. In their effort to establish para-sites of critical awareness parallel to the levels of political and economic power at which they function, these subjects suggest that those who lead ordinary lives of modest power and privilege might not be parasites in relation to the systems they serve, but may be creating unique and independent critical perspectives.

With Fabulist and New Wave Fabulist stories by 44 Literary and Genre authors, this anthology follows in the footsteps of Conjunctions 39 (from Bard College, New York), the Fall 2002 issue, which focused on New Wave Fabulist writers.

Who holds ultimate authority for the education of America's children—teachers or parents? Although the relationship between home and school has changed dramatically over the decades, William Cutler's fascinating history argues that it has always been a political one, and his book uncovers for the first time how and why the balance of power has shifted over time. Starting with parental dominance in the mid-nineteenth century, Cutler chronicles how schools' growing bureaucratization and professionalization allowed educators to gain increasing control over the schooling and lives of the children they taught. Central to his story is the role of parent-teacher associations, which helped transform an adversarial relationship into a collaborative one. Yet parents have also been controlled by educators through PTAs, leading to the perception that they are "company unions."

Cutler shows how in the 1920s and 1930s schools expanded their responsibility for children's well-being outside the classroom. These efforts sowed the seeds for later conflict as schools came to be held accountable for solving society's problems. Finally, he brings the reader into recent decades, in which a breakdown of trust, racial tension, and "parents' rights" have taken the story full circle, with parents and schools once again at odds.

Cutler's book is an invaluable guide to understanding how parent-teacher cooperation, which is essential for our children's educational success, might be achieved.

The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene.

In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France’s complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons—such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others—what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation—reinvention—in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.

Parish Boundaries chronicles the history of Catholic parishes in major cities such as Boston, Chicago, Detroit, New York, and Philadelphia, melding their unique place in the urban landscape to the course of twentieth century American race relations. In vivid portraits of parish life, John McGreevy examines the contacts and conflicts between Euro-American Catholics and their African-American neighbors. By tracing the transformation of a church, its people, and the nation, McGreevy illuminates the enormous impact of religious culture on modern American society.

"Parish Boundaries can take its place in the front ranks of the literature of urban race relations."—Jonathan Dorfman, Washington Post Book Review

"A prodigiously researched, gracefully written book distinguished especially by its seamless treatment of social and intellectual history."—Robert Orsi, American Historical Review

"Parish Boundaries will fascinate historians and anyone interested in the historic connection between parish and race."—Ed Marciniak, Chicago Tribune

"The history that remains to be written will rest on the firm foundation of Mr. McGreevy's remarkable book."—Richard Wightman Fox, New York Times Book Review

Perhaps no world city has so many resonances, on so many levels, as Paris. Cafe society, demi-monde, the intellectual life, film-makers and writers... Paris has fragmented socially, sexually, intellectually and linguistically into many fields. Parisian Fields sets out to investigate some of these.

The writers investigate how Paris has been both seen and shaped by tourist guides; how its topography has been represented and allegorized by film-makers like Godard, Clair, Vigo and Renoir; how the city has responded to "new" Parisians – for example Afro-American musicians and dancers such as Josephine Baker – and to previously marginalized Parisians – gays and women.

Literary analysis, film, social and gender theory, perspectives on urbanism; here are many provocative and innovative views of the open field of Paris, which will appeal to anyone interested in French cultural and literary studies – or just in the City of Light herself.

With essays by Roger Clark, Nicholas Hewitt, Jon Kear, Tom Conley, Michael Sheringham, Alex Hughes, Adrian Rifkin, Belinda Jack, Verena Andermatt Conley and Marc Augé.

Parlor Ponds: The Cultural Work of the American Home Aquarium, 1850–1970 examines the myriad cultural meanings of the American home aquarium during the nineteenth and twentieth centuries and argues that the home aquarium provided its enthusiasts with a potent tool for managing the challenges of historical change, from urbanization to globalization. The tank could be a window to an alien world, a theater for domestic melodrama, or a vehicle in a fantastical undersea journey. Its residents were seen as inscrutable and wholly disposable “its,” as deeply loved and charismatic individuals, and as alter egos by aquarists themselves.

Parlor Ponds fills a gap in the growing field of animal studies by showing that the tank is an emblematic product of modernity, one using elements of exploration, technology, science, and a commitment to rigorous observation to contain anxieties spawned by industrialization, urbanization, changing gender roles, and imperial entanglements. Judith Hamera engages advertisements, images, memoirs, public aquarium programs, and enthusiast publications to show how the history of the aquarium illuminates complex cultural attitudes toward nature and domestication, science and religion, gender and alterity, and national conquest and environmental stewardship with an emphasis on the ways it illuminates American public discourse on colonial and postcolonial expansion.

Since the Second World War, congressional parties have been characterized as declining in strength and influence. Research has generally attributed this decline to policy conflicts within parties, to growing electoral independence of members, and to the impact of the congressional reforms of the 1970s. Yet the 1980s witnessed a strong resurgence of parties and party leadership—especially in the House of Representatives.

Offering a concise and compelling explanation of the causes of this resurgence, David W. Rohde argues that a realignment of electoral forces led to a reduction of sectional divisions within the parties—particularly between the northern and southern Democrats—and to increased divergence between the parties on many important issues. He challenges previous findings by asserting that congressional reform contributed to, rather than restrained, the increase of partisanship. Among the Democrats, reforms siphoned power away from conservative and autocratic committee chairs and put control of those committees in the hands of Democratic committee caucuses, strengthening party leaders and making both party and committee leaders responsible to rank-and-file Democrats. Electoral changes increased the homogeneity of House Democrats while institutional reforms reduced the influence of dissident members on a consensus in the majority party. Rohde's accessible analysis provides a detailed discussion of the goals of the congressional reformers, the increased consensus among Democrats and its reinforcement by their caucus, the Democratic leadership's use of expanded powers to shape the legislative agenda, and the responses of House Republicans. He also addresses the changes in the relationship between the House majority and the president during the Carter and Reagan administrations and analyzes the legislative consequences of the partisan resurgence.

A readable, systematic synthesis of the many complex factors that fueled the recent resurgence of partisanship, Parties and Leaders in the Postreform House is ideal for course use.

For much of the twentieth century, unions played a vital role in shaping political regimes and economic development strategies, particularly in Latin America and Europe. However, their influence has waned as political parties with close ties to unions have adopted neoliberal reforms harmful to the interests of workers.

What do unions do when confronted with this “loyalty dilemma”? Katrina Burgess compares events in three countries to determine the reasons for widely divergent responses on the part of labor leaders to remarkably similar challenges. She argues that the key to understanding why some labor leaders protest and some acquiesce lies essentially in two domains: the relative power of the party and the workers to punish them, and the party's capacity to act autonomously from its own government.

There’s no question that Americans are bitterly divided by politics. But in Partisans and Partners, Josh Pacewicz finds that our traditional understanding of red/blue, right/left, urban/rural division is too simplistic.

Wheels-down in Iowa—that most important of primary states—Pacewicz looks to two cities, one traditionally Democratic, the other traditionally Republican, and finds that younger voters are rejecting older-timers’ strict political affiliations. A paradox is emerging—as the dividing lines between America’s political parties have sharpened, Americans are at the same time growing distrustful of traditional party politics in favor of becoming apolitical or embracing outside-the-beltway candidates. Pacewicz sees this change coming not from politicians and voters, but from the fundamental reorganization of the community institutions in which political parties have traditionally been rooted. Weaving together major themes in American political history—including globalization, the decline of organized labor, loss of locally owned industries, uneven economic development, and the emergence of grassroots populist movements—Partisans and Partners is a timely and comprehensive analysis of American politics as it happens on the ground.

Partners in Conflict examines the importance of sexuality and gender to rural labor and agrarian politics during the last days of Chile’s latifundia system of traditional landed estates and throughout the governments of Eduardo Frei and Salvador Allende. Heidi Tinsman analyzes differences between men’s and women’s participation in Chile’s Agrarian Reform movement and considers how conflicts over gender and sexuality shape the contours of working-class struggles and national politics.
Tinsman restores women to a scholarly narrative that has been almost exclusively about men, recounting the centrality of women’s labor to the pre-Agrarian Reform world of the hacienda during the 1950s and recovering women’s critical roles in union struggles and land occupations during the Agrarian Reform itself. Providing a theoretical framework for understanding why the Agrarian Reform ultimately empowered men more than women, Tinsman argues that women were marginalized not because the Agrarian Reform ignored women but because, under both the Frei and Allende governments, it promoted the male-headed household as the cornerstone of a new society. Although this emphasis on gender cooperation stressed that men should have more respect for their wives and funneled unprecedented amounts of resources into women’s hands, the reform defined men as its protagonists and affirmed their authority over women.
This is the first monographic social history of Chile’s Agrarian Reform in either English or Spanish, and the first historical work to make sexuality and gender central to the analysis of the reforms.

Robert Kohler shows exactly how entrepreneurial academic scientists became intimate "partners in science" with the officers of the large foundations created by John D. Rockefeller and Andrew Carnegie, and in so doing tells a fascinating story of how the modern system of grant-getting and grant-giving evolved, and how this funding process has changed the way laboratory scientists make their careers and do their work.

"This book is a rich historical tapestry of people, institutions and scientific ideas. It will stand for a long time as a source of precise and detailed information about an important aspect of the scientific enterprise. . .It also contains many valuable lessons for the coming years."—John Ziman, Times Higher Education Supplement

Pier Paolo Pasolini (1922–75) was one of the most important Italian intellectuals of the post–World War II era. An astonishing polymath—poet, novelist, literary critic, political polemicist, screenwriter, and film director—he exerted profound influence on Italian culture up to his untimely death at the age of fifty-three. This revised edition of what the New York Times Book Review has called “the standard Pasolini biography” introduces the artist to a new generation of readers.

Based on extensive interviews with those who knew Pasolini, both friends and enemies, admirers and detractors, Pasolini Requiem chronicles his growth from poet in the provinces to Italy’s leading “civil poet”; his flight to Rome in 1950; the scandalous success of his two novels and political writing; and his transition to film, where he started as a contributor to the golden age of Italian cinema and ended with the shocking Salò, or the 120 Days of Sodom. Pasolini’s tragic and still unsolved murder has remained a subject of contentious debate for four decades. The enduring fascination with who committed the crime—and why—reflects his vital stature in Italy’s political and social history.

Updated throughout and with a new afterword covering the efforts to reopen the investigation—and the legal maelstrom surrounding Pasolini’s demise—this edition of Pasolini Requiem is a riveting account of one of the twentieth century’s most controversial, ever-present iconoclasts.

François Furet was acknowledged as the twentieth century's preeminent historian of the French Revolution. But years before his death, he turned his attention to the consequences and aftermath of another critical revolution—the Communist revolution. The result, Le passé d'une illusion, is a penetrating history of the ideological passions that have fueled and characterized the modern era.

"This may well be the most illuminating study ever devoted to the question of appeal exerted not only by Communism but also by the Nazi and other fascist varieties of totalitarianism in this century."—Hilton Kramer, New Criterion

"A subtle, nuanced but gripping study of the most pervasive and destructive illusion in the 20th century." —Kirkus Reviews, starred review

"The Passing of an Illusion . . . is both a profound work of intellectual history that takes its place alongside other great studies of the leftist heresy . . . and a relentless diagnosis of the self-subversive risks that are inherent in democratic regimes. "—Roger Kaplan, Washington Times

" A remarkable book. . . . Stimulating and challenging. . . . A man widely read in several languages, Furet clearly knew his way around 20th-century Europe, even unto the dark alleys that figure on no existing map. "—Mark Falcoff, Commentary

"A history of ideas, this work is not for the faint of heart, yet those who challenge it will discover a signal contribution to the literature of Communism."—Booklist

"Imperious and stunningly confident, grand in conception and expansive in manner, packed with fascinating detail and often incisive judgements."—John Dunn, Times Higher Education Supplement

"The Passing of an Illusion is brilliant, and one would be hard pressed to find better writing of history than the first chapter, which traces the roots of modern political thinking back to the nineteenth century."—J. Arch Getty, Atlantic Monthly

"A brilliant and important book. . . . The publication of the American edition makes accessible to the general reader the most thought-provoking historical assessment of communism in Europe to appear since its collapse."—Jeffrey Herf, Wall Street Journal

François Furet (1927-1997), educator and author, was a Chevalier of the Legion of Honor and was elected, in 1997, to become one of the "Forty Immortals" of the Académie Française, the highest intellectual honor in France. His many books include Interpreting the French Revolution, Marx and the French Revolution, and Revolutionary France. Deborah Furet, his widow, collaborated with him on many projects.

      The twelve contemporary fiction writers interviewed in Passion and
        Craft go beyond the merely autobiographical, revealing that, despite
        their differences, they share passionate devotion and discipline for their
        craft.
      Included are Richard Ford, winner in 1995 of both the Pulitzer Prize
        and the PEN/Faulkner Award; Gina Berriault, 1997 winner of the National
        Book Critics Circle Award; Bobbie Ann Mason; T. Coraghessan Boyle; Rick
        Bass; Leonard Michaels; Christopher Tilghman; Thom Jones; Julia Alvarez;
        Andre Dubus; Jayne Anne Phillips; and Tobias Wolff.
      Their comments will interest readers devoted to their novels and stories,
        other writers, and aspiring writers.
 

Offering a fresh perspective on the gothic novel in America, this vigorous study engages the underlying currents that define American culture as one of consumption. It rereads texts that range from Hawthorne, Poe, James, and Faulkner to the contemporary gothic novels of Toni Morrison, Joyce Carol Oates, and Anne Rice. By exposing the literary motifs of subversion and seduction inherent in these works as disruptive to the flow, circulation, and expansion of value, this book positions American literary culture as an extension of commodity economics. Its cogent yet interdisciplinary approach, supported by the work of such theorists as Jacques Lacan and Jean Baudrillard, makes this text useful to anyone interested in American literature, popular culture, and American economic thought.

The International Art Exhibition for Palestine took place in Beirut in 1978 and mobilized international networks of artists in solidarity with anti-imperialist movements of the 1960s and ’70s. In that era, individual artists and artist collectives assembled collections; organized touring exhibitions, public interventions and actions; and collaborated with institutions and political movements. Their aim was to lend support and bring artistic engagement to protests against the ongoing war in Vietnam, the Pinochet dictatorship in Chile, and the apartheid regime in South Africa, and they were aligned in international solidarity for anti-colonial struggles. Past Disquiet brings together contributions from scholars, curators and writers who reflect on these marginalized histories and undertakings that took place in Baghdad, Beirut, Belgrade, Damascus, Paris, Rabat, Tokyo, and Warsaw. The book also offers translations of primary texts and recent interviews with some of the artists involved.

The first decades of the twentieth century were years of dramatic change in Zanzibar, a time when the social, economic, and political lives of island residents were in incredible flux, framed by the abolition of slavery, the introduction of colonialism, and a tide of urban migration. Pastimes and Politics explores the era from the perspective of the urban poor, highlighting the numerous and varied ways that recently freed slaves and other immigrants to town struggled to improve their individual and collective lives and to create a sense of community within this new environment. In this study Laura Fair explores a range of cultural and social practices that gave expression to slaves’ ideas of emancipation, as well as how such ideas and practices were gendered.

Pastimes and Politics examines the ways in which various cultural practices, including taarab music, dress, football, ethnicity, and sexuality, changed during the early twentieth century in relation to islanders’ changing social and political identities. Professor Fair argues that cultural changes were not merely reflections of social and political transformations. Rather, leisure and popular culture were critical practices through which the colonized and former slaves transformed themselves and the society in which they lived.

Methodologically innovative and clearly written, Pastimes and Politics is accessible to specialists and general readers alike. It is a book that should find wide use in courses on African history, urbanization, popular culture, gender studies, or emancipation.

In the early and mid-1940s, during the period of British wartime occupation, community and religious leaders in the former Italian colony of Eritrea engaged in a course of intellectual and political debate that marked the beginnings of a genuine national consciousness across the region. During the late 1940s and 1950s, the scope of these concerns slowly expanded as the nascent nationalist movement brought together Muslim activists with the increasingly disaffected community of Eritrean Christians. The Eritrean Muslim League emerged as the first genuine proindependence organization in the country to challenge both the Ethiopian government’s calls for annexation and international plans to partition Eritrea between Sudan and Ethiopia. The league and its supporters also contributed to the expansion of Eritrea’s civil society, formulating the first substantial arguments about what made Eritrea an inherently separate national entity. These concepts were essential to the later transition from peaceful political protest to armed rebellion against Ethiopian occupation. Paths toward the Nation is the first study to focus exclusively on Eritrea’s nationalist movement before the start of the armed struggle in 1961.

"Letters are the devil, and I always hope that any I have written have been destroyed."—Patrick White

Patrick White spent his whole life writing letters. He wanted them all burnt, but thousands survive to reveal him as one of the greatest letter-writers of his time. Patrick White: Letters is an unexpected and final volume of prose by Australia's most acclaimed novelist. Only a few scraps of White's letters have been published before.

From the aftermath of the First World War until his death in 1990, letters poured from White's pen: they are shrewd, funny, dramatic, pigheaded, camp, and above all, hauntingly beautiful. He wrote novels to sway a hostile world, but letters were for friends.

The culmination of ten years' work and reflection by David Marr, author of the well-received biography Patrick White: A Life, the volume tells the story of White's life in his own words. These are the letters of a great writer, a profound critic, a gossip with the sharpest eyes and tongue, a man who loved and hated ferociously, a keen cook, an angry patriot, and a believer never free of doubt.

"A literary milestone."—Kirkus Reviews

"Mean-spirited and brilliant, the 600 letters collected here offer real insight into the life of the Nobel-Prize winning Australian author. White's venom is matched by his torment, and the whole volume is redeemed by outstanding writing."—Publisher's Weekly ("Best Books 96")

"[T]hose who come to these letters after having read Marr's biography will expect more than shop talk from the master novelist. They will expect the bracing bitchiness of a master curmudgeon. And they will not be disappointed."—Frank Wilson, Philadelphia Inquirer

Patrick White (1912-1990), Australian novelist and playwright, won the Nobel Prize in Literature in 1973. His many novels include Voss, The Twyborn Affair, and Riders in the Chariot.

Actor and singer Paul Robeson's performances in Othello, Show Boat, and The Emperor Jones made him famous, but his midcentury appearances in support of causes ranging from labor and civil rights to antilynching and American warmongering made him notorious. When Robeson announced at the 1949 Paris Peace Conference that it was "unthinkable" for blacks to go to war against the Soviet Union, the mainstream American press declared him insane. 
 
Notions of Communism, blackness, and insanity were interchangeably deployed during the Cold War to discount activism such as Robeson's, just a part of an array of social and cultural practices that author Tony Perucci calls the Cold War performance complex. Focusing on two key Robeson performances---the concerts in Peekskill, New York, in 1949 and his appearance before the House Committee on Un-American Activities in 1956---Perucci demonstrates how these performances and the government's response to them are central to understanding the history of Cold War culture in the United States. His book provides a transformative new perspective on how the struggle over the politics of performance in the 1950s was also a domestic struggle over freedom and equality. The book closely examines both of these performance events as well as artifacts from Cold War culture---including congressional documents, FBI files, foreign policy papers, the popular literature on mental illness, and government propaganda films---to study the operation of power and activism in American Cold War culture.

Mike Kelley, Paul McCarthy, and Raymond Pettibon—these Southern California artists formed a “bad boy” trifecta. Early purveyors of abject art, the trio produced work ranging from sculptures of feces to copulating stuffed animals, and gained notoriety from being perverse. Showing how their work rethinks transgressive art practices in the wake of the 1960s, Pay for Your Pleasures argues that their collaborations as well as their individual enterprises make them among the most compelling artists in the Los Angeles area in recent years.

 

Cary Levine focuses on Kelley’s, McCarthy’s, and Pettibon’s work from the 1970s through the 1990s, plotting the circuitous routes they took in their artistic development. Drawing on extensive interviews with each artist, he identifies the diverse forces that had a crucial bearing on their development—such as McCarthy’s experiences at the University of Utah, Kelley’s interest in the Detroit-based White Panther movement, Pettibon’s study of economics, and how all three participated in burgeoning subcultural music scenes. Levine discovers a common political strategy underlying their art that critiques both nostalgia for the 1960s counterculture and Reagan-era conservatism. He shows how this strategy led each artist to create strange and unseemly images that test the limits of not only art but also gender roles, sex, acceptable behavior, poor taste, and even the gag reflex that separates pleasure from disgust. As a result, their work places viewers in uncomfortable situations that challenge them to reassess their own values.

 

The first substantial analysis of Kelley, McCarthy, and Pettibon, Pay for Your Pleasures shines new light on three artists whose work continues to resonate in the world of art and politics.

Judith M. Heimann entered the diplomatic life in 1958 to join her husband, John, in Jakarta, Indonesia, at his American Embassy post. This, her first time out of the United States, would set her on a path across the continents as she mastered the fine points of diplomatic culture. She did so first as a spouse, then as a diplomat herself, thus becoming part of one of the Foreign Service’s first tandem couples.

Heimann’s lively recollections of her life in Africa, Asia, and Europe show us that when it comes to reconciling our government’s requirements with the other government’s wants, shuttle diplomacy, Skype, and email cannot match on-the-ground interaction. The ability to gauge and finesse gesture, tone of voice, and unspoken assumptions became her stock-in-trade as she navigated, time and again, remarkably delicate situations.

This insightful and witty memoir gives us a behind-the-scenes look at a rarely explored experience: that of one of the very first married female diplomats, who played an unsung but significant role in some of the important international events of the past fifty years. To those who know something of today’s world of diplomacy, Paying Calls in Shangri-La will be an enlightening tour through the way it used to be—and for aspiring Foreign Service officers and students, it will be an inspiration.

Published in association with ADST-DACOR Diplomats and Diplomacy Series

On November 16, 1989, on the campus of El Salvador's University of Central America, six Jesuits and two women were murdered by members of the Salvadoran army, an army funded and trained by the United States. One of the murdered Jesuits was Ignacio Ellacuría, the university's Rector and a key, although controversial, figure in Salvadoran public life. From an opening account of this terrible crime, Paying the Price asks, Why were they killed and what have their deaths meant? Answers come through Teresa Whitfield's detailed examination of Ellacuría's life and work. His story is told in juxtaposition with the crucial role played by the unraveling investigation of the Jesuits' murders within El Salvador's peace process.

A complex and nuanced book, Paying the Price offers a history of the Church in El Salvador in recent decades, an analysis of Ellacuría's philosophy and theology, an introduction to liberation theology, and an account of the critical importance of the University of Central America. In the end, Whitfield's comprehensive picture of conditions in El Salvador suggest that the Jesuits' murders were almost inevitable. A crime that proved a turning point in El Salvador's civil war, the murders expressed the deep tragedy of the Salvadoran people beyond suffering the heartless cruelty, violence, and deceitfulness of a corrupt military and their patrons in the U.S. government.

Whitfield draws on her extensive research of Jesuit archives and private papers, Ellacuría's diaries, documents declassified by the U.S. government, and 200 interviews conducted with sources ranging from Jesuits to Salvadoran military officers, U.S. officials and congressmen to human rights campaigners.

Payoffs in the Cloakroom is a spellbinding follow-up to Rubenstein and Ziewacz's critically acclaimed Three Bullets Sealed His Lips. Three Bullets brought to life new evidence on the 1945 murder of Michigan Senator Warren Hooper. Payoffs in the Cloakroom takes up where Three Bullets left off, unraveling a complex web of political corruption and dirty state politics. In the process, the authors demonstrate that Senator Hooper was murdered to prevent his grand jury testimony against republican boss Frank McKay, who was facing bribery charges. 
     Making use of actual court proceeding, personal interviews, and newspaper accounts, and even a re-evaluation of police evidence, Rubenstein and Ziewacz tell a story that contains all the ingredients of first-class detective fiction—only in this instance, the story is based on fact. With chapter titles such as "Charlie and His Little Black Book," "I Never Dreamed Murder," and "Them Bones, Them Bones," the authors have, once again, provided a stimulating and absorbing account of one of the darker chapters of Michigan's political history.

Peace in the Mountains analyzes student activism at the University of Pittsburgh, Ohio University, and West Virginia University during the Vietnam War era. Drawing from a wide variety of sources including memoirs, periodicals, archival manuscript collections, and college newspapers such as The Pitt News, author Thomas Weyant tracks the dynamics of a student-led campus response to the war in real time and outside the purview of the national media. Along the way, he musters evidence for an emerging social and political conscience among the student bodies of northern Appalachia, citing politics on campus, visions of patriotism and dissent, campus citizenship, antiwar activism and draft resistance, campus issues, and civil rights as major sites of contention and exploration.

Through this regional chronicle of student activism during the Vietnam War era, Weyant holds to one reoccurring and unifying theme: citizenship. His account shows that political activism and civic engagement were by no means reserved to students at elite colleges; on the contrary, Appalachian youth were giving voice to the most vexing questions of local and national responsibility, student and citizen identity, and the role of the university in civil society. Rich in primary source material from student op-eds to administrative documents, Peace in the Mountains draws a new map of student activism in the 1960s and early 1970s. Weyant’s study is a thoughtful and engaging addition to both Appalachian studies and the historiography of the Vietnam War era and is sure to appeal not only to specialists—Appalachian scholars, political historians, political scientists, and sociologists—but to college students and general readers as well.

A century after his presidency, Woodrow Wilson remains one of the most compelling and complicated figures ever to occupy the Oval Office. A political outsider, Wilson brought to the presidency a distinctive, strongly held worldview, built on powerful religious traditions that informed his idea of America and its place in the world.

With A Peaceful Conquest, Cara Lea Burnidge presents the most detailed analysis yet of how Wilson’s religious beliefs affected his vision of American foreign policy, with repercussions that lasted into the Cold War and beyond. Framing Wilson’s intellectual development in relationship to the national religious landscape, and paying greater attention to the role of religion than in previous scholarship, Burnidge shows how Wilson’s blend of Southern evangelicalism and social Christianity became a central part of how America saw itself in the world, influencing seemingly secular policy decisions in subtle, lasting ways. Ultimately, Burnidge makes a case for Wilson’s religiosity as one of the key drivers of the emergence of the public conception of America’s unique, indispensable role in international relations.

As the presidential election cycle once again raises questions of America’s place in the world, A Peaceful Conquest offers a fascinating excavation of its little-known roots.
 

Mariolina Salvatori presents an anthology of documents that examine the evolution of American education in the nineteenth century and meaning of the word pedagogy.

 Almost from the beginning, the women’s movement has been divided into two factions–those wanting full equality with men (Susan B. Anthony, Alice Paul) and those seeking legal protections for women’s particular needs (Julia Ward Howe, Eleanor Roosevelt). Early Utah leaders such as Relief Society President Emmeline B. Wells walked hand-in-hand with Anthony and other controversial reformers. However, by the 1970s, Mormons had undergone a significant ideological turn to the mainstream, championing women’s unique roles in home and church, and joined other conservatives in defeating the Equal Rights Amendment.

Looking back to the nineteenth century, how committed were Latter-day Saints of their day to women’s rights? LDS President Joseph F. Smith was particularly critical of women who “glory in their enthralled condition and who caress and fondle the very chains and manacles which fetter and enslave them!” The masthead of the church’s female Relief Society periodical,

Woman’s Exponent, proudly proclaimed “The Rights of the Women of Zion and the Rights of Women of All Nations!” In leading the LDS sisterhood, Wells said she gleaned inspiration from The Revolution,published by Elizabeth Cady Stanton.

Fast-forward a century to 1972 and passage of the Equal Rights Amendment (ERA) by the United States Congress. Within a few years, the LDS Church, allied with Phyllis Schlafly, joined a coalition of the Religious Right and embarked on a campaign against ratification. This was a mostly grassroots campaign waged by thousands of men and women who believed they were engaged in a moral war and that the enemy was feminism itself.

Conjuring up images of unisex bathrooms, homosexuality, the dangers of women in the military, and the divine calling of stay-at-home motherhood—none of which were directly related to equal rights—the LDS campaign began in Utah at church headquarters but importantly was fought across the country in states that had not yet ratified the proposed amendment. In contrast to the enthusiastic partnership of Mormon women and suffragists of an earlier era, fourteen thousand women, the majority of them obedient, determined LDS foot soldiers responding to a call from their Relief Society leaders, attended the 1977 Utah International Women’s Year Conference in Salt Lake City. Their intent was to commandeer the proceedings if necessary to defeat the pro-ERA agenda of the National Commission on the International Women’s Year. Ironically, the conference organizers were mostly LDS women, who were nevertheless branded by their sisters as feminists.

In practice, the church risked much by standing up political action committees around the country and waging a seemingly all-or-nothing campaign. Its strategists, beginning with the dean of the church’s law school at BYU, feared the worst—some going so far as to suggest that the ERA might seriously compromise the church’s legal status and sovereignty of its all-male priesthood. In the wake of such horrors, a take-no-prisoners war of rhetoric and leafleteering raged across the country. In the end, the church exerted a significant, perhaps decisive, impact on the ERA’’s unexpected defeat.

In 1904, political operator and gambling boss Robert T. Motts opened the Pekin Theater in Chicago. Dubbed the "Temple of Music," the Pekin became one of the country's most prestigious African American cultural institutions, renowned for its all-black stock company and school for actors, an orchestra able to play ragtime and opera with equal brilliance, and a repertoire of original musical comedies.
 
A missing chapter in African American theatrical history, Bauman's saga presents how Motts used his entrepreneurial acumen to create a successful black-owned enterprise. Concentrating on institutional history, Bauman explores the Pekin's philosophy of hiring only African American staff, its embrace of multi-racial upper class audiences, and its ready assumption of roles as diverse as community center, social club, and fundraising instrument.
 
The Pekin's prestige and profitability faltered after Motts' death in 1911 as his heirs lacked his savvy, and African American elites turned away from pure entertainment in favor of spiritual uplift. But, as Bauman shows, the theater had already opened the door to a new dynamic of both intra- and inter-racial theater-going and showed the ways a success, like the Pekin, had a positive economic and social impact on the surrounding community.

More than a half-century after the death of Kansas City's notorious political boss, Thomas J. Pendergast, the Pendergast name still evokes great interest and even controversy. Now, in this first full-scale biography of Pendergast, Lawrence H. Larsen and Nancy J. Hulston have successfully provided—through extensive research, including use of recently released prison records and previously unavailable family records—a clear look at the life of Thomas J. Pendergast.

Born in St. Joseph, Missouri, in 1872, Tom Pendergast moved to Kansas City around 1890 to work for his brother James, founder of the Pendergast "Goat" faction in Kansas City Democratic politics. In 1911, Pendergast became head of the Goats, and over the next fifteen years he created a powerful political machine that used illegal voting and criminal enforcers to gain power. Following a change in the city charter in 1925, Pendergast took control of Kansas City and ran it as his own personal business. In the 1930s, he received over $30 million annually from gambling, prostitution, and narcotics, putting him in the big leagues of American civic corruption. He also wielded great power in the National Democratic Party and started Harry S. Truman on the road to the presidency.

In this well-balanced biography, the authors examine Pendergast's rise to power, his successes as a political leader, his compassion for the destitute, and his reputation for keeping his word. They also examine Pendergast's character development and how his methods became more and more ruthless. Pendergast had no use for ideology in his "invisible government"—only votes counted.

In 1937 and 1938 the federal government broke the back of Pendergast's machine, convicting 259 of his campaign aides for vote fraud. In 1939 Pendergast, who was believed to be the largest bettor on horse racing in the United States, was jailed for income tax evasion, and he died in disgrace in 1945.

An insightful and comprehensive biography, Pendergast! will surely serve for years to come as the most thorough investigation of the life and infamous career of Tom Pendergast.

“In the fifties, sleek Mixmasters were replacing rusty eggbeaters, and new pressure-cookers blew their tops in kitchens all over town. There were kids everywhere, and new ‘ranch-style’ houses filled vacant lots. . . . Turquoise Studebakers and dusty-rose Chevy BelAirs with flamboyant fins and lots of chrome replaced dark pre-war cars. Cameras took color snapshots instead of black-and-white. We wore red canvas tennis shoes and lemon yellow shorts, and bright blue popsicles melted down our chins.” —from the Introduction

This brilliant analysis of American Judaism in the last half of the 20th century won the 1993-94 National Jewish Book Award for the best book on contemporary Jewry and also was named an Outstanding Book of 1993 by Choice. Jack Wertheimer examines how fundamental changes in American society have affected Jewish religious and communal life, paying special attention to contradictions and schisms that threaten the integrity of American Jewish practices and beliefs. A People Divided remains an essential primer for anyone interested in the ongoing debate about what constitutes Jewishness and who is a Jew.

Playwright, biographer, screenwriter, and critic S. N. Behrman (1893–1973) characterized the years he spent writing for The New Yorker as a time defined by "feverish contact with great theatre stars, rich people and social people at posh hotels, at parties, in mansions and great estates." While he hobnobbed with the likes of Mary McCarthy, Elia Kazan, and Greta Garbo and was one of Broadway's leading luminaries, Behrman would later admit that the friendships he built with the magazine's legendary editors Harold Ross, William Shawn, and Katharine S. White were the "one unalloyed felicity" of his life.

People in a Magazine collects Behrman's correspondence with his editors along with telegrams, interoffice memos, and editorial notes drawn from the magazine's archives—offering an unparalleled view of mid-twentieth-century literary life and the formative years of The New Yorker, from the time of Behrman's first contributions to the magazine in 1929 until his death.

Since 1972, the Rainbow Family of Living Light, a loosely organized and anarchistic nomadic community, have been holding large gatherings in remote forests to pray for world peace and create a model of a functioning utopian society. In People of the Rainbow, Michael I. Niman offers the first comprehensive study of this  countercultural group, also known as the Rainbow Nation or Rainbow Family. Niman's insightful and compelling profile describes the origins and recent history of the Rainbows and explains the eclectic philosophy of environmentalism, feminism, peace activism, group sharing, libertarianism, and consensus government they espouse.

A fictional re-creation of a day in the life of a Rainbow character named Sunflower begins the book, illustrating events that might typically occur at an annual North American Rainbow Gathering. Using interviews with Rainbows, content analysis of media reports, participant observation, and scrutiny of government documents relating to the group, Niman presents a complex picture of the Family and its relationship to mainstream culture—called "Babylon" by the Rainbows. Niman also looks at internal contradictions within the Family and examines members' problematic relationship with Native Americans, whose culture and spiritual beliefs they have appropriated.

The nomadic nature of the Rainbow Family has long exasperated the U.S. government--especially the Forest Service--and has baffled the media. Niman places the Rainbow Family's gatherings in a historical context by framing the group's activities in terms of the long tradition of intentional communities and utopian experimentation within the United States. Concluding with reflections on the successes and limitations of the Rainbow movement, People of the Rainbow provides an extensive ethnography of this intriguing subculture and provides fresh insights into the ongoing legacy of utopian communalism.

The Author: Michael I. Niman is an adjunct assistant professor of American studies at the State University of New York at Buffalo and a lecturer in the communication department at Buffalo State College.